Caracas, marked by years of dictatorship and the constant threat of delinquency, became a difficult city for young people to gather freely. Students and emerging artists often faced prosecution, leaving little space for expression or safe socializing.

Amid this climate, Roberto and close friends like Pedro Navarro began creating something different — intimate house parties that offered more than just music. These gatherings became safe retreats where university peers could connect, exchange ideas, and discover new artistic currents.

From eclectic DJ sets to projections of cult film scenes, from a vinyl room for deep listening to spontaneous jam sessions, these parties built a small but vital community. They stood as an alternative way of celebrating culture and freedom in a city where both were under pressure.